infoto wrote:
看吧!
恭喜TaiwanPhoto也被文包歸類成失敗一族
只要你能讓他回不了嘴的,都可以獲得這個難得的殊榮
可喜可賀
我看到一個很有趣的現象
今天一個學生寫考卷 1+1答案寫3
被老師扣分
學生跑去找老師理論
"身為一個老師,怎麼把自己的學識拿來否定學生"

文包 wrote:
Robert capa諾曼地登陸唯一一張留存的照片也是又糊又晃. 哪裡還管構圖
文包 wrote:登陸戰人都快沒命了顧不了構圖 =/= Robert Capa不要求構圖
文包 wrote: 修正,這不是唯一一張
文包 wrote:
這張該百分之百確定至少手晃. 跟後端沖洗無關
但在11張裡面卻是這張最有名
在生死關頭. 手晃或構圖不穩甚至反過來成為這張影像成功的要素之一
文包 wrote:
這些書我都看過了. 也跟這串討論回文所述的概念一致
手震失焦反而令那張影像脫穎而出. 令人更能強烈感受到戰場氛維
peirreflame wrote:
原文如下 ~
using two contaxes.he took 106 pictures of the bloody battle on the beach before rushing back through the surf to clamber on to a landing craft returning to the invasion fleet offshore.
a week later he learned that most of his pictures had been destroyed by a darkroom assistant in landon who became so excited that he tried to hasten the drying process by turning up the heat. and melted the images off the negatives.
only eight frames could be savaged.(in later years there were persistent rumours that the darkroom assistant was Larry Burrows.subsequently a famous life photographer who was killed in Vietnam.but Ed Thompson says this is nonsense.)
Life first told Capa that the pictures were spoiled becase sea weater had leaked into his cameras so when he discovered what had really happened he was doubly furious.but at same time he told Life editors he would never work for them again if they fired the assistant who was responsible.
When the magazine finally ran the redeemable photographs it attemped to explain their quality by claiming that Capa had not focused properly in the heat of battle.
further enraging him.(when he wrote a colourful.not to say fanciful.autobiography afterr the war he called it"Slightly Out Of Focus"as a bitter jibe at the Life editors.)
小彭新城wrote:
談布列松,講出來的東西是錯的
說看過安老的書,理解出的zone system也是錯的
講卡帕的照片背景,好有心得,卻還是錯的
所以果然,有哪些書,不重要,有沒有看過,也不重要
因為就是有人,聲稱自己看過一堆書,還都講出一堆錯誤的東西來
文包 wrote:其實就算有資料有看過. 也常有個人觀點不同解讀心得各自不同的狀況
文包 wrote:
這社會上有一種人. 他所謂的是非對錯. 是看關係交情的
而不是看證據道理邏輯
你跟我同一邊. 你講什麼都是對的
你跟我不同邊. 你講什麼都是錯的
不需要舉證. 也不需要理由
不過碰到這種. 明眼人的話到也容易分辨. 只要把對方說的話反過來就是答案
文包 wrote:
就突然很多對歷史考證有興趣?的人就跳出來. 開始爭論. 當年是剩下1張還是8張還是11張
開始爭論當時是卡帕自己刻意失焦手振. 還是因為炮火失焦手振. 還是因為後端沖洗出包失焦手振
要討論這些 也無妨. 不過那些對攝影者而言已經不是很重要的事了

文包 wrote:
攝影人就該是看影像說話
有圖有真相
看圖說故事
文包 wrote:
你的藏書. 只是你用來否定別人. 逃避面對現實的工具而已. 只能說很可惜
文包 wrote:
所以會叫人回去花個幾年念過書再來的. 我知道他們其實都沒有認真把書念完過



Molonlabe wrote:
有人喜歡狡辯,但是能...(恕刪)
Molonlabe wrote:
這11張救回來的底片也是受到相當的傷害,所以造成又糊又晃的景象。 如果你有看到全部11張,就會發現Robert Capa當年也是有構圖的
bisazza wrote:
FYI, Capa's work in Normandy D-Day was a photo lab mistake, that's why it is blurry.
文包 wrote:
頂多我這邊可以肯定的是. 影像晃到的原因應該跟後端沖洗無關而已
但這也是小彭新城自己跳出來批的
不然我也沒想追究這細節問題
文包 wrote:
喔
那請問你
當年是剩下1張. 還是8張. 還是11張
到底是卡帕自己手晃失焦. 還是因為炮火手晃失焦. 還是因為後端沖洗失敗手晃失焦
你給我個答案. 如何?
請注意
前面有人主張是炮火導致手晃失焦
有人主張是後端沖洗失敗導致手晃失焦
書中也有出版社的說法是當事人情緒太激烈"拿著相機的手在顫抖"
那. 誰說的是對的
或是這不重要. 反正證明文包是錯的最重要
infoto wrote:
你的最大問題就是看圖說話
原本是砲彈震波導致手晃的缺點,反而改成你讚揚的優點
好像是capa刻意去晃似的
然後之前批評沒構圖的論點,卻避而不談
有些圖都經過雜誌社搶救後裁切(你的圖例都呈現出來了),連這點都沒確認,就說capa沒構圖
你嘛幫幫忙,先讀完史料再來發言有很困難嗎?
